After the immense success of the Migos’ debut album, Culture, and their smash hit 'Bad and Boujee’, you would have thought they’d earned the right to be taken seriously. But they are talked of as something of a novelty, and a lot of people claim their popularity is merely the result of the ease with which they are turned into memes.
This seems a tad unfair, but regardless, the decision for each of the trio to release solo projects this year has provided Quavo, Takeoff and Offset, respectively, with the opportunity to show why they should be held in higher esteem, both collectively and as individual artists. However, Quavo’s solo album was disappointing, lacking the vocal innovation and melody that has made him such a sought-after feature, despite containing a handful of highlights. Takeoff’s project came and went without so much as a ripple in the unusually calm waters of the charts. So the onus was on Offset to redeem the rap group, and prevent critics from scratching their heads and wondering why they ever thought these solo experiments would be worth the risk.
Did he deliver? Well, he definitely succeeds in distancing himself from the typical style of the Migos, as well as the standard subject matter. There seems less self-assurance in Offset’s voice, as for the first time on a Migos album the loud posturing is replaced by hushed honesty. The title track, ‘Father of 4’, sets the mood for the rest of the project. After a very philosophical and perhaps overly poetic intro from Big Rube, Offset spares no time getting on topic - “I was 17 years old when I had you/ Trying to find my soul when I had you”. He names all his children, and unravels the layers of his relationship with them, opening up to the listener about how he perceives his identity as a father. While other rappers have often cited their offspring as their central motivation, these tributes can often sound trite, as the expression of love is enshrouded in trivial lyrics about Gucci belts and diamond chains.
Offset makes it clear this is not going to be one of those albums, with the artist being incredibly candid, often painfully so, about his personal life throughout Father of 4. ‘North Star’ is an emotional wade through Offset’s mental struggles, with the funk-oriented Cee-Lo Green seeming an odd choice at first, but ends up combining well for an outro that adds sentiment to the track. ‘After Dark’ is not catchy at all, but the chorus is uttered so statically that it gives you time to chew over each line, something unusual for Migos tracks, where the verses rattle along at such a speed that there is no time to think, or to stop and digest what is actually being said (albeit it normally not very much). ‘After Dark’ epitomises Offset’s move away from the typical tone and themes of his group.
He balances the melodies well with the quick fire bars that he has become renowned for, but Migos fanatics will inevitably ask where the celebratory anthems and triplet-fuelled explosiveness has gone. The attempts to satisfy this expectation are there, with ‘On Fleek’, ‘Clout’ and ‘Legacy’ all threatening as firecrackers, but ultimately lacking the necessary spark.
On the whole, though, Father of 4 is a pleasantly surprising listen, with Offset removing his Saint Laurent mask and baring his soul to the world, spinning the Migos blueprint on its head. When he rose to stardom and married Cardi B, Offset became one of the golden boys of Hip Hop. On Father of 4, he walks with the 24-carat necklace dangling as a heavy weight on his shoulders, rather than a symbol of his success.
Hello! I'm currently studying Philosophy & Theology at Oxford University, UK. Having always loved writing and music in equal measure, and having always hated decision-making, I figured hey, why do I need to choose between the two?
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