US Country superstar Chase Rice follows through on his promise to drop the second instalment of his The Album series as soon as possible. For all the negative aspects of lockdown and quarantine, it has been great to see artists flooding this period with a flurry of new releases to help keep fans’ spirits up.
The Album Pt. II gives listeners another glimpse into the eclectic mix of genres that Chase welds together. ‘You’ kicks off the EP with an EDM/Pop-Rock tinged anthem, with a seismic hook reminiscent of Bastille or Imagine Dragons. A twinkling, teasing piano sets up the song, before Chase launches into the verses with his trademark charismatic drawl. The female backing vocals add another level of intensity to the song, and one can’t help but think a duet would certainly be an interesting avenue for Chase to go down in future.
On the face of it, ‘Break. Up. Drunk.’ should be a sad song, with Chase lamenting the pain of a break-up, and suggesting they turn to alcohol to soften the blow. But somehow he transforms it into an uptempo drinking song, and provides an 11th hour afterglow of warmth before the couple splits up for good.
Then comes ‘Down Home Runs Deep’, a more reflective ode to how you can take the ‘good ole’ boy’ out of the country, but you can never take the country out of the ‘good ole’ boy’. Chase knocks the hook for another home run and keeps the momentum going, altering his cadence to step up the energy just when you thought it had already hit its peak.
So far, it’s been rip-roaring and ferocious from the moment the opening bass hits on ‘You’. But while the EP has been jam-packed with huge hooks and electrifying production, we’re yet to see Chase the songwriter in full effect. With only one song remaining on the EP, is there room for him to strip it back and deliver another ‘Lonely If You Are’ or ‘Messy’ style ballad?
The answer comes resoundingly in the form of The Album Pt. II’s closer - ‘Belong’. For me, this is the real jewel in the crown, and is perfect for a world that has been put on pause. There’s no question that Chase can bring the party-starters and the anthems, but ‘Belong’ shows an incredible emotional depth, and showcases a side to the Country hitmaker that we have so far only seen in doses.
He questions modern-day issues such as cancel culture, and the charge that is often thrown at younger generations of being glued to their phones. He responds with the tongue-in-cheek observation that our phones take voice notes, and that’s how he writes his songs.
Chase repeats the chorus almost as a mantra - “We’re right where we belong” - and while the song seems to have been written pre-COVID-19, it is undoubtedly poignant for these times of anxiety and uncertainty about what the future holds. The destiny-fuelled theme of ‘Belong’ sends out a message of reassurance and hope (“Where we’re going, we don’t know/But we’re going there together”).
For anyone disappointed by the fact that there are only four songs on The Album Pt. II, compared to the seven that made the cut for the first instalment, Chase explained in my interview with him a few months ago why he wanted to keep his projects short:
“I feel like giving less music more often gives the songs more of an opportunity to have the life they deserve. If you drop fifteen at one time, you just choose three or four to listen to and never hear the rest…I’m not just releasing a single or two with five fillers, either - I wanted every song to be worthy of a single. That’s a big focus for me for The Album Pt. II”
In an era of streaming where we have everything at our fingertips, it’s good to be reminded that what really matters is quality, not quantity. Chase Rice’s The Album Pt. II might be short, but don’t let that fool you - it sure packs a punch.
The Album Pt. II is out on all platforms tomorrow, Friday 15th May.
It's clear that we often lean heavily on music when we are going through something. It has the powerful ability to lift you up, to relax your mind, or to simply let you know you're not alone in your struggle.
Of course, usually music alone is no remedy to the troubles we face, but it can be helpful nonetheless. Different people can draw out different meanings from various sets of lyrics, such is the subjective beauty of art.
The following is a selection of hand-picked lyrics that are aimed specifically at easing your worries and allaying your fears. Some may become new cri de coeurs, some may simply wash over you without having much effect. But hopefully in shining a spotlight on particularly useful lyrics, there will be at least one that will really resonate with you...
Don't you worry, don't you worry, child/See Heaven's got a plan for you
1. Swedish House Mafia, Don't You Worry Child
You don't have to believe in Heaven, or be religious at all for that matter, to appreciate this. Personally the message I gain from this is that no matter how low you are feeling, or how difficult it may be right now, in the long run you will always be okay. I have a saying that I'm always annoying my friends with - 'Even when it doesn't go to plan, it does'. This could be God's plan (shoutout Drake...), the Universe's plan, or simply your ultimate plan for your life. In the end, the struggle makes you who you are.
Oh, my darlin', put your worries on me/Can't judge you 'cause I feel the same thing
2. Ed Sheeran, Put It All On Me feat. Ella Mai
I really like this one, because it sounds fairly generic at first, but peering deeper into it reveals a significant message. For me, it's the idea that it's okay to ask someone for help when you're going through something. Don't be too prideful or too ashamed to lean on other people. There's a good chance they're going through something similar.
Have a look at my review of Ed Sheeran's 'No.6 Collaborations Project' here
Ain't in no hurry, I'd be a fool now to worry/About all those things I can't change
3. Zac Brown Band, No Hurry
This is the central Zac Brown Band mantra of 'Que sera sera', and to not let things that are out of your control get you down. If you have a problem, address it, and if there is a solution go about achieving it. If there is no solution, then leave it behind. It's irrelevant.
Check out a more detailed look at No Hurry in this Self-Help Songs post
Everything that's broke, leave it to the breeze/Why don't you be you, and I'll be me?
4. James Bay, Let It Go
This is a great quote, because it echoes the previous notion of letting things that are out of your control go. Often we can torment ourselves over what could have been, or what we should have done. "Leave it to the breeze", and don't be stuck in the past. Also, this takes on another meaning in the sense of what you might see as 'broken' parts of your personality or appearance. Just be yourself - we hear it time and time again, but it's true. Why be someone you're not, when you're awesome just the way you are (shoutout Bruno Mars...)
Today I missed my workout, but it worked out/Now I'm missing work now, but it worked out
5. Chance the Rapper, Work Out
Okay, this seems like a random quote to have included. But it resonates with me quite strongly, because I think we can overthink the details of our lives, and be too hard on ourselves when we don't match up to our expectations. It's great to be disciplined and driven, but cut yourself some slack - don't be too hard on yourself (shoutout Jess Glynne...okay, I'm going to stop with all the cross-referencing now...!). Also, remember to have fun! Charlie Hoehn wrote a great article about how 'Play' cured his anxiety, read that here.
You might also like...Self-Help Songs, 'How to Be Positive', by Chance the Rapper
Gonna to put the world away for a minute/Pretend I don't live in it/Sunshine's gonna wash my blues away
6. Zac Brown Band, Knee Deep
Yes, I know, it's ANOTHER Zac Brown Band song. Talk about biased. But this artist more than any other epitomises for me the feeling of just kicking back, relaxing, and taking the strain off of your mind. They're not talking about a literal vacation here, it's a mental one. We all carry around with us personal spas in the form of meditation. Get away for free!
Then I felt my pulse quickening/But regrets can't change anything...Joy, set my mind free/I was giving up, oh, I was giving in
7. Bastille, Joy
Another poignant lyric about letting the past be the past. Don't agonise and torment yourself over something you can't change. Also I added the second part of the lyrics, because it emphasises the positive message of the song. Just when you are thinking of giving in, don't! Relief from your pain could literally just be around the corner.
And when all broken-hearted people/Living in the world agree/There will be an answer/Let it be
8. The Beatles, Let It Be
This iconic song is probably most famous for having an amazing melody, as all The Beatles' songs do. But the lyrics really hit home, and underline what a lot of the other lyrics in this article have been saying. Don't fight against an immovable obstacle, especially if it is behind you - turn around, and let it go. Let it be.
You might also like...'Self-Help Songs, How to worry less'
Just when you think you’ve found the right box to place songstress Maryze in, she eludes your grasp once again, her sultry voice slipping through the fingers of Pop, into R&B, and then into EDM. Like Moons is impressively diverse.
The EP opens with ‘Safe’, a slow-tempo track that lulls the listener into a false sense of security. It is immersive, and easily allows you to drift away in the midst of the atmospheric production and Maryze’s ethereal, uplifting vocals about self-love.
‘B.O.Y’, which stands for ‘Because of You’, is another slow-jam, a synth driven track, with Maryze crooning wistfully before she leaves the catchy riff to breathe. It sums up the vibe so far - the lulling background provides the soft bed upon which the listener can just sit back and relax, while Maryze cuts through the haze with insightful musings.
‘Their Hearts’ and ‘Dis-Moi’ are earworms that stand side by side on the record, and highlight Maryze’s ability to amp up the drama. Her mystical, light voice invokes comparisons to Jhené Aiko, another fan of creating a dreamy ambience in her music. ‘Dis-Moi’, however, sang in French, is the song that makes you stop and really listen. For the first time we hear an edge, the frantic synth that rises up behind Maryze’s hook, mirroring the increasing tension and desperation in her voice, pleading the song’s subject to ‘Talk to me’. ‘Dis-Moi’ shifts Maryze from being really good, but perhaps flirting with predictability, to being truly dynamic and exciting. It sounds like the kind of track that could have been written for The Weeknd, and the bassline contrasts perfectly with Maryze’s high range vocals.
Maryze cuts through the haze with insightful musings
The album finishes to a slower beat, with ‘Special’ taking us back to the calmer terrain of the opening tracks. It completes the EP beautifully, with each song showcasing Maryze’s strengths and her versatility to move across genres, while staying true to her core sound. You get a clear sense of Maryze’s openness in expressing her emotions, and this vulnerability allows the listener in. She encourages you to lower your own walls, as you experience her removing hers. This is a project about being honest to yourself and others - an apt message in an era where how you appear outwardly, whether you are a celebrity or simply a social media user, for example, seems to matter more than how you really feel on the inside.
Like Moons is a meditative, tranquil 5-course-meal, throughout which invigorating flavours and warming notes create a soothing balance, the result being an undoubtedly whetted appetite for Marzye’s next release.
George Ezra, Get Away
“It's never been this way before
Shut down by anxiety"
George Ezra acknowledged in 2018 that he had been suffering with anxiety, and ‘Get Away’ tackles this issue head on. However, the overall message is an optimistic one, and highlights how when we step back and stop for a moment, we can often realise that our worries are not as significant as we once thought.
“He's dreaming of a blacked out car, screaming: "Move over!””
This line really resonates with me, because being at Uni it often feels like we’re expected to step straight onto the treadmill of suits, chai lattes, and office desk plants without giving it a second thought. Ezra contrasts the work-based aspirations of the character driving in a tinted car, with the screaming of ‘Move over!’ hinting at the more fast-paced and stressed out lifestyle this can entail. He contrasts this with the following line,
“He’ll be flying through the sugar canes, screaming: “Move over!”
While the line is almost the same, the picture it paints is of a much more carefree person, out in nature, and the ‘Move over!’ sounds more like a child that is keen to continue their race through the fields.
“And I'm running down a mountain side when I close my eyes
And I'm a leader of a big brass band when I close my eyes”
Ezra continues to provide more fun and wide-eyed fantasies, showing us the scope of his imagination. This links back to his idea that modern generations can become ‘shut down by anxiety’. It is interesting looking at this from a student's perspective, because often I'll devote a lot of my day-to-day thinking time to degree-related worries, such as 'Am I going to get this essay finished?', 'Have I read enough?', 'Does my tutor think I'm stupid?'
But then as soon as the weekend hits, and I have a day or two off, there's a really weird feeling of confusion. During the week there's been all these small, work-related distractions, so when I stop working and these distractions disappear, all the bigger, existential questions start flooding into my head. 'What am I going to do with my life after Uni?'... 'Am I really happy studying like this?'... 'What do my friends think of me?'...
Then, because these questions are uncomfortable, I inevitably start filling my mind with the smaller distractions again, and the cycle continues.
"You better get away, boy
You better get away"
I feel like George Ezra isn't just talking about taking a vacation (although that often helps!), he means stepping back from the hustle and bustle of our daily lives, and finding time to just be present, to be in the moment. It's the constant chasing our tails and finding distractions that leads to the feeling I mentioned earlier, where when all the distractions are gone, we're not really sure what to do with ourselves, and we feel a bit empty.
I guess for me personally, the message I receive from these lyrics is to stop trying to find distractions, and just appreciate each moment. And confront the uncomfortable questions. Don't run from them, tackle them head on and see how they can be dealt with - if there is nothing we can do about it right now, then it's irrelevant. If there is a solution, then make a plan for attaining that solution.
How to Worry Less #1 - Confront your problems, know your enemy
In 'The Art of Happiness', the Dalai Lama likens training your mind to deal with problems to preparing an army for battle. If you confront the enemy, learn their strengths, their weaknesses, and their tactics, then you are in a much better position to defeat them. By contrast, if you bury your head in the sand and simply hope the enemy will be defeated, you are in a much less advantageous position. Know your enemy - and know your problems.
"Any boy can dream, dream of anything
Just like you"
Like I said before, George Ezra's overarching message is one of optimism. It seems the way we are told to look at the world, our careers, our lives, makes us forget to open our minds to the more wondrous possibilities out there. We are told to look at the options as being A, B, and C, where for example, A is University, B is an Internship, and C is an Apprenticeship. But sometimes looking at life in this fixed way, and looking through the lens that society has nudged us in front of, we miss a whole host of possibilities.
Who says that the only routes we can take are A, B, and C. What about X, Y, and Z? Or 1, 2, and 3? I feel like George Ezra’s message here is to keep your mind open, and don’t get bogged down in worrying about the little things, like what car you’re driving or how late you are for that 9am meeting. Life is obviously about more than that.
How to Worry Less #2 - Keep your mind open
When you close your eyes, are you driving the blacked out car, or flying through the sugar canes?
Yours sincerely, but not too seriously,
Originally published at phaser.com
There is a unique quality that only the upper, upper echelon of artists ever have. I’m not talking about the way their melodies are strung together, the way their charisma shines through on the track, or the way their lyrics shake you to your core. Of course, these are qualities that great artists possess. But only a handful of artists reach a point in their career where you don’t listen to see if the album or single is any good. You know it’s going to be good, so you just relax, and enjoy it.
Surprisingly, not many of today’s musical icons seem to possess this quality. Drake, who keeps breaking record after record after record, even ones held by The Beatles, still brings out an album to hesitant ears. ‘Will it be as good as the last one?’, they ask. The same is true of Ariana Grande, Taylor Swift, Post Malone - most of today’s musical heavyweights still turn up with a sense of something to prove.
Ed Sheeran literally has nothing to prove. Every album he’s ever brought out has been a smash hit, and every single he drops is draped with a VIP pass to Number One before anyone’s even listened to it. A significant number of your favourite songs were probably written by him, with his writing credits stretching all the way from The Weeknd to One Direction via Justin Bieber. And what’s more, he seems like the nicest guy to set foot in the music industry.
He recently announced his upcoming No.6 Collaborations Project, following on from the No.5 that he released before he’d even been signed to a label. The two lead singles feature Justin Bieber, Chance the Rapper and PnB Rock, and are - surprise surprise - currently sitting on top of the charts. Like I said, Ed Sheeran is one of those artists you can’t help but sit back and appreciate. He said he had a bucket list of artists he really wanted to work with, so that’s what he’s going to do. And why not? He’s one of the most successful artists of all time, so why not tick off those collaborations he’s been wishing for. What do you have left to strive for when you’re the best? In Ed Sheeran’s book, it’s to simply enjoy yourself.
This album should definitely be regarded as a complete love project, with Ed simply following his heart and working with the people he genuinely wants to work with, and not just names on a list handed to him by his record label. However, while we shouldn’t overanalyse it, it could also end up being one of his most interesting albums yet. The only slight criticism that people can possibly muster against Halifax’s most prized export, is that his music is at times a little derivative. Chance the Rapper and PnB Rock are certainly not features we could ever expect on a ‘standard’ Ed Sheeran album, so maybe this is his way of answering that final question as to how versatile he really is?
To be honest, I really don’t think this has crossed his mind. No.6 looks set to simply be a fun, eclectic journey through a whole host of musical styles and genres, one that is enjoyed just as much by the artist as it is by the listener. Who can we expect on the guest-list? Ed has made no secret of his love for Hip Hop, with the ‘favourite song’ referenced in the go-to wedding track of this generation, ‘Perfect’, being revealed to be Future’s hard-hitting gangster anthem ‘March Madness’. He also worked with Future on Taylor Swift’s ‘End Game’, so an appearance from the Atlanta rapper can perhaps be presumed. Travis Scott is almost certainly on there too, with a collaboration between Scott and Sheeran leaking earlier this year, and judging by the lyrics, seems to be Track 7 on the project, called ‘Antisocial’. There will undoubtedly be some curveballs thrown at us, but all the more reason to look forward to No. 6’s release.
This is a guy at the peak of his powers, nothing to prove, and just enjoying the artistic freedom his success has brought about. Is there any pressure on Ed Sheeran to deliver us another blockbusting, record-breaking smash hit of an album? 100% not.
But are we expecting one? Absolutely.
No. 6 Collaborations Project is out on July 12th, and is available to Pre-Add on all streaming platforms now.
Album Art - The 1975, A Brief Enquiry Into Online Relationships
You might have gathered from previous posts that I’m not a fan of modern rock. But for the past two ‘Album Arts of the Week’ I’ve chosen cover art from rock bands - perhaps this means they should all quit their day jobs and become artists instead of singers? I speak in jest, for rock music obviously has a lot to offer in the today’s times, especially, it seems, The 1975. Which is ironic, considering their group’s name is over 40 years old. The title of their upcoming album, A Brief Enquiry Into Online Relationships, draws intrigue, and pokes fun at the pervasiveness of technology in the 21st Century, a subject that will undoubtedly provide numerous points of interest when the album is ultimately released (See, at Maximoco Review HQ we’re so ahead of the charts, we review albums that haven’t even come out yet. That way, no-one can tell if our review is way off the mark or not).
But you may be staring at this random arrangement of coloured dots, and wondering why it’s sitting under the ‘Album Art of the Week’ heading. I confess that I’m not artistically learned enough to be able to explain to you the subtle machinations and hidden messages behind this picture. As much of a cop-out as it may be, I simply chose it because I find it aesthetically pleasing, and it definitely gives off a minimalist, AI-fax-machine (is that a thing?) kind of feel, which ties it in perfectly with the album title. It looks like the sort of thing you’d find at a modernist art exhibition, where everyone stands around it nodding and hmm-ing pensively, when really no-one has the slightest clue as to what they are looking at. And that’s why I like it.
Song Title - 'Look Up Child', Lauren Daigle
I think this is the vocalised thought of every parent and grandparent in the world right now. Children and teenagers are glued to their phones, living their lives through the eyes of social media, which inevitably entails living life through the eyes of someone else. As Drake wisely raps on ‘Emotionless’, “I always hear people complain about the place that they live…Cause they been staring at somebody else’s version of s***”. It seems Daigle is offering a similarly poignant message for our society. There is a wonderful world to see out there, but we miss most of it because we’re too busy looking down at our phones. If you’re reading this on your phone - look up! (But of course, don’t forget to return to us later. Sorry, page-views over scenic-views). Still, see the sky, see the birds, see the trees. It’ll inspire you. Also, on a less practical note, it’ll mean you’re less likely to walk straight into a telegraph pole.
Music Video - 2 Chainz ft. Quavo, Drake: 'Bigger Than You'
Watch as child-lookalikes of three of the biggest names in rap strut around in a school and cause anarchy for the teachers. Ah, reminds me of my days of young rebellion at High School, only reading four out of the five books on the reading lists, and some days, if I was feeling really naughty, not even doing any extra work during lunch time. I know, pretty scary stuff, but don’t fret, my life is firmly back on the rails now. Anyway, it’s a fun video - check it out here https://www.youtube.com/watch?v=r26bNe0MTzs
Yours sincerely, but not too seriously,
Usually, if I mention the name ‘Jason Mraz’ to someone, they’ll pause for a while and adopt a quizzical expression, reaching back into the dregs of their memory to find why the name rings a bell. Then the light switches on, and they remember with a smile. He is probably most famous for his motivational hit, ‘I Won’t Give Up’, and the wonderfully playful chart-topper, ‘I’m Yours’.
Having taken a break from producing music to star in Broadway’s Waitress, you could have been forgiven for wondering Mraz would ever return to brighten up the charts with his carefree optimism. But thankfully on Know, his new album, this is exactly what he does.
From the introduction to the conclusion, Know plays like the soundtrack to that moment at school where you were finally allowed onto the big field for summer (or maybe that was just one of my countryside childhood quirks). Mraz’s contagious happiness fizzles through the listener, and - call me corny - it’s the first album I’ve listened to in a while that’s actually made me smile to myself at the singer’s innocent humour.
The beauty of Know is undoubtedly its message, which is obvious from simply looking at the tracklist - the likes of ‘Better With You’, ‘Might As Well Dance’ and ‘Love Is Still The Answer’ immediately extinguish any doubts that Mraz has become hardened by life since when he first burst onto the scene. If anything, he sounds even happier, now being married and enjoying life in the US. He admits he was tempted to go down a darker path with his music after his last album, partly as a result of the seemingly exponential amount of issues that litter the world today, saying, “I wrote a lot of frustrated, angry, even sad songs between then and now, but nothing I wanted to come forward with; nothing I wanted to sing.”
Instead he penned ‘Have It All’, the album’s lead single, inspired by a blessing he received from a Myanmar monk in 2012. It is jam-packed with just about every positive, Pinterest-spawned mantra in existence (“May the best of your todays be the worst of your tomorrows”/“May you always lead from the beating in your chest”, and the more typical Mraz lyric, “May you get a gold star on your next test”). What I love is that you can tell he’s genuinely written the tracks himself, because they’re too off-the-wall and wholesomely ingenuous to have been manufactured by a songwriting team, as lots of modern tracks are.
It would be easy for the cheesy punchlines and unbounded joyousness of this record to come across as too much, and perhaps even sickeningly sweet. But Jason Mraz delivers them with enough cheek and playful innocence that it works, and you can’t help but dance along. A lot of motivational, message-heavy projects can entail less attention being paid to the actual melodies, and okay, perhaps Mraz’s style is a bit too dated to really breach the current Top 40. But make no mistake - the songs on Know are as catchy as ever. The buoyant ode to getting lost in the moment with love, ‘Might As Well Dance’, is a clear highlight, while the Meghan Trainor assisted ‘More Than Friends’ adds drive to the generally light-hearted strummings of the rest of the album.
The breezy hooks, the twinkling riffs and the lovable lyrics are reminiscent of peak MIKA, where people let their guard down and just enjoyed themselves amongst the bubbly pop of his falsetto anthems.
What better antidote could there be to all the sorrow and seriousness of 2018?
Yours sincerely, but not seriously,
Image by Moses Namkung on Flickr
Her 2018 single 'Tennessee Bound' is raw, uplifting and alluringly catchy, just what any good country song should be
2018's 'One to Watch': Sinead Burgess
The Australian signer-songwriter’s career has been bubbling away under the surface for a few years now, but it looks like 2018 is the year she’s finally going to burst through our speakers and leap onto our playlists. Judging from the two singles that have thus far been released off her upcoming album, Damaged Goods, she has developed a rawer, more authentic country sound, and is all the better for it.
Her last EP, Wolf, released in 2016, had all the dark atmosphere and drama of a Sia record, but without anything to truly distinguish her from other modern pop artists. Tennessee Bound, her 2018 single, shows how much of a difference two years can make. It’s raw, uplifting - and alluringly catchy, just what any good country song should be. Its more recent counterpart, the album title track, 'Damaged Goods', highlights Sinead’s authenticity and her ability to connect with the listener through her lyrics. It is a moving, vulnerable ode to all those trying to make something of themselves, but who feel as though a certain moment in their past is holding them back.
I was fortunate enough to see Burgess perform as a support act on country mainstays The Shires’ Accidentally On Purpose tour earlier this year, and her energy made her an instant hit with the audience. Between songs her chat was fun and engaging, whilst not being overly corny, and by halfway through her performance of 'Tennessee Bound' half of the crowd were already singing along to the chorus.
Could 2018 be the year Burgess’ hard work plugging away in bars and clubs comes to fruition? I think so - watch this space.
Yours sincerely, but not too seriously,
Listen to first: 'Tennessee Bound'
Next track out: 'Gonna Be Alright', Expected this Friday (27th July)
Sinead Burgess’ Album Damaged Goods is available to pre-order on iTunes, and is expected to drop on all platforms on 17th August
Hello! I'm currently studying Philosophy & Theology at Oxford University, UK. Having always loved writing and music in equal measure, and having always hated decision-making, I figured hey, why do I need to choose between the two?