UK singer-songwriter Kelsey Bovey shows why she’s one to watch on her new single, ‘Magnetic’, which officially drops on Friday 22nd May.
While modern music might be moving away from typical song structures, there’s one thing that will surely never become ‘old-fashioned’ - and that's having a killer hook. Boy, does ‘Magnetic’ have one.
It wriggles itself into your head, and part of its appeal is the meaning Bovey puts into each lyric (“The way you’re talking to my soul it’s magnetic”). She delivers it with an intensity that seems both euphoric and pleading at the same time, and that’s part of what makes this song great. It’s a jubilant love song, but there’s an undertone of hesitancy (“I’ve been broken in pieces/There’s a hole can you heal it”).
Bovey manages to bring in a level of intimate vulnerability, without sacrificing any of the song’s overwhelming joyfulness, a balance that isn’t easy to strike.
Listening to Bovey’s 2019 It’s My Time EP makes it clear that she wants to draw her listeners’ attention to the silver linings rather than the black clouds, something that is especially evident on ‘Positivity’. ‘Define Me’ wraps a striking melody around another set of empowering lyrics, and what better time to be driving home this message of optimism?
It can sometimes feel lazy to liken an up-and-coming, female Country-Pop artist to Kelsea Ballerini (especially given the similarity here in first names). But over the years Ballerini has cultivated a cross-genre style without losing any of her originality, something that’s especially evident on her recent album, the dance-heavy ‘Kelsea’.
Bovey shows signs that her sound is set to be just as open-minded and diverse, favouring powerful, energetic soundscapes over slower, guitar-driven tracks. ‘Magnetic’ features slick, lustrous production from Andrea Succi and Danny McMahon, the latter of whom was crowned Country Artist of the Year at 2019’s UK Country Music Awards.
Speaking about the new song, Bovey says:
“Magnetic is a spontaneous love song that I feel everyone has experienced once in their life, when you share the reasons behind your feelings for that someone special. This came from a place of uncertainty, when you start a relationship and you find the person that is right for you, but you're scared of falling in too deep because you’ve been hurt before”
‘Magnetic’ is heartfelt, captivating and, most importantly of all, uplifting. Watch this space, Nashville - there’s a new 'Kelsey' on the block…
'Magnetic' is released on Friday 22nd May.
Say what you want about Drake - that he’s too commercial, that he sings too much, that he’s a terrible dancer (Hotline Bling, anyone?). These might well be true. But one thing that can’t be taken away from Drake is his unmatchable ability to coin a soundbite. He’s the figurehead for the Instagram generation, with his lyrics providing influencers with a reel of perfect and pithy captions for their next post.
Some of the Toronto hitmaker’s slogans stop you in your tracks and make you think, while others fire you up and have you puffing out your chest. But we’re not focussing on either of these. We’re looking at the hilarious, and sometimes downright bonkers, quotes that Drake manages to slip into an otherwise hard-hitting rap song.
Most rappers would be ridiculed for not taking their verses seriously enough, but with Drake the comedy and self-deprecation are all part of his persona. There’s a reason he’s one of the most meme-able and quotable artists out there. But does he care? If anything, he loves it, and he clearly plays on this. He even got Shiggy, the dancer that made his ‘In My Feelings’ track go viral, to star in the official music video.
Whatever the motives behind Drake’s willingness to send himself up, we’re the ones that get to benefit from the abundance of hilarious quotes he provides us with. Having scoured every nook and cranny of Drake’s discography, here’s a curated selection of the best ten lyrics that are bound to make you smile, chuckle or maybe even laugh out loud...
“I touched down in ’86, knew I was the man by the age of six” - All Me
The way Drake keeps breaking record after record, maybe it always has been written in the stars for him to hit these kind of heights. But since he was six? Heck, at that age I was still figuring out how to run without falling flat on my face, let alone mapping out my life plan.
What’s great about Drake, is that he flexes with a twinkle in his eye. It never feels overly serious, and there’s always a sense that he’s rapping tongue-in-cheek (although practically, as a technique, that’s bound to cause problems…).
This track was on Drake’s 2013 album, ‘Nothing Was the Same’, and features 2 Chainz and Big Sean. Fun fact: Big Sean is actually of average height.
“My Mount Rushmore is me with four different expressions” - Survival
What make this so funny in my opinion, is that you can literally imagine Drake posing for the Rushmore architectural photoshoot, and doing a different face for each shot. Serious, pensive, smiling, shocked. It’s just so Drake.
Once again, self-confidence, braggadocio, and a heavy dose of ego - but delivered with a charming smile.
‘Survival’ opens Drake’s 2018 ‘Scorpion’ album, and is full of ominous warnings to all his competitors, such as “I ain’t even have to cut the tie, it severed itself”. This gravity makes the light-hearted Mount Rushmore comment stand out even more, and epitomises the two sides of Drake’s persona.
"Why you gotta fight with me at Cheesecake? You know I love to go there” - Child’s Play
It’s nice to see Drake is a man with his priorities in order. Yes, his relationship is crumbling. Yes, he’s fighting with his girl. But what’s he most worried about? Ruining his chances of being able to go back to his favourite restaurant.
He delivers this line with the indignant petulance of a baby who’s just had his beloved sweet ripped from his hand. But lesson learnt - don’t come between a hungry Drake and his Cheesecake. Hey, that rhymes, maybe I should be the rapper here…
‘Child’s Play’ has one of Drake’s most famous music videos, and that’s no mean feat considering how viral the visuals for ‘Hotline Bling’ and ‘In My Feelings’ went. ‘Child’s Play’ begins with Drake having an argument with Tyra Banks, who plays his girlfriend, in the Cheesecake Factory that the song famously references.
Why did the video become so well-known? Because it involves Tyra throwing a whole cake into Drake’s face. As they were beefing at the time, you can almost hear fellow rapper Meek Mill laughing with glee in the background…
“Only begging that I do is begging your pardon” - Is There More?
It’s cheeky wordplay enshrouding an equally cheeky flex, but I love it. This is definitely one for any of you looking for your next Instagram caption.
Again, I don’t know if it’s just because he used to be an actor, or if it’s because of how expressive he is in his music videos, but I can picture Drake’s face when he says this. Offended, but also kind of loving the chance to use one of his snappiest witticisms.
‘Is There More?’ is another track from ‘Scorpion’, and like ‘Survival’ is full of dark musings and intense introspection. You could be forgiven, on the basis of this song, for thinking that Drake has started to take himself too seriously. But fear not, the most memed song of 2018, ‘In My Feelings’, follows swiftly on the ‘Scorpion’ tracklist to reassure you that all is still fun and light-hearted in the Drake camp.
“Hey y’all get some more drinks goin’ on, I’ll sound a whole lot better” - Passionfruit
In my view, Drake is at his best when he is self-deprecating. It is the antithesis of everything that rap stands for, and that’s why it works so well. He perfects this in Chris Brown’s recent video for ‘No Guidance’, where the two recreate their infamous club fight in the form of a dance battle.
Chris Brown dazzles with his dancing, before Drake comes out with an embarrassing array of moves, and his entourage ditches him. But it’s great that he’s willing to send himself up, and not take himself too seriously - the music industry could do with a bit more of that.
‘Passionfruit’ was one of the best performing singles from Drake’s 2017 ‘More Life’ project, and covers familiar territory for the rapper in that it’s about struggling to find trust in a relationship, especially a long-distance one. Despite this, the tropical beat gives the song an uplifting atmosphere, underlining Drake’s ability to turn a sad song into a smash hit.
“Got so many chains they call me Chaining Tatum” - Pop Style
Pop Culture reference? Check. Play on words? Check. Humour aplenty? Triple check.
I’d love to know if anyone actually calls Drake ‘Chaining Tatum’. And if they didn’t before, I really hope they do after this lyric. On another note, anyone wondering if a collaboration with the real Channing Tatum’s partner, Jessie J, would ever be on the cards for Drake?
Mmm, probably not. I’d imagine Drake’s too concerned with his designer Price Tags for her liking…
‘Pop Style’ stirred up a lot of controversy, because it initially featured Hip Hop royalty, The Throne, aka Kanye West and JAY-Z. However, when the album ‘Views’ dropped in 2016, ‘Pop Style’ was on it, but Kanye and Jay’s verses had been axed. Drake played it off as a simple artistic choice by him, with no bad blood involved. But considering him and Kanye have now gone from friendly Calabasas neighbours to mortal enemies, one can’t help but think there was more to it than meets the eye…
“Is that a world tour or your girl’s tour?” - Back to Back
‘Back to Back’ was the famous Meek Mill diss that Drake dropped amidst the fiery feud they sparked in 2015. Meek claimed that Drake didn’t write his own lyrics, and Drake responded with ‘Charged Up’, followed swiftly by ‘Back to Back’, in a rapid one-two sucker punch. To be honest, no-one really remembers the disses Meek released.
This lyric is a reference to Meek going on tour with his then-fiancée Nicki Minaj, but only as her support act. She was obviously a lot more famous than him at the time, which is why Drake is taking shots at him for hanging on her coattails. Regardless, Meek and Drake are back on good terms, and they dropped their hit collaboration ‘Going Bad’ last year.
“You be like “who’s this?” I be like “me, girl”, you be like “oh, word, true s**t?”/Then ask if we could listen to Ludacris” - How Bout Now
This is probably my favourite of the list. It’s classic, self-effacing Drake, lamenting his girl troubles. She says she’d rather listen to Ludacris than Drake, the guy she’s dating. Ouch! Poor Drizzy.
His comedic timing is on point once again, with the pause after “oh, word, true s**t” emphasising the hilarity of the situation. It’s one of those lyrics that always makes me laugh, but then I feel bad for laughing after. Although, as Drake breaks yet another Beatles record, something tells me he doesn’t really need a whole lot of sympathy the way he’s bossing the rap game right now.
‘How Bout Now’ was originally part of Drake’s 2015 ‘If you’re reading this its too late’ mixtape, but was recently added to his 2019 ‘Care Package’ album, which serves as a compilation of his best unreleased and bonus tracks.
“Please excuse my table manners, I was making room for the table dancers” - All Me
We all know Drake loves to be up in his feelings, but he also loves a good party. Whether he’s at the strip club, on a yacht, or at a house party, he’ll turn up. But he also seems like the politest strip club customer going, and that just makes us love him even more.
‘All Me’ is one of those songs that didn’t do tremendously well in the charts, but has become a Drake fan favourite, due to its combination of uber-braggadocious lyrics, and the humorous wordplay found in each verse. As mentioned before, it was the final track on his 2013 ‘Nothing Was the Same’ album.
“She says, “You don’t know how good it is to be you ‘cause you’re him”/And I say “Well, goddamn”” - Heat of the Moment
This is actually super deep. Every now and then, Drake drops a particularly perceptive lyric that really hits you, and this underlines his dexterity as a rapper. I feel like it’s true, though. We’re so busy comparing our lives to other people’s, that we often forget to stop and be thankful for what we have in our own lives.
The Toronto megastar manages to inject a dose of humour, though, to add some levity in his response to the girl. I think it’s what most of us say in our heads when we hear this bit of heavy philosophising from him…
‘Heat of the Moment’ is another track off of Drake’s 2019 ‘Care Package compilation album, but was originally released as part of a trio that were meant to be on ‘Views’, but that hackers got to first.
Yours sincerely, but not too seriously,
Read a review of Drake's 'Scorpion' here
I got the chance to ask Erik and Elina, the EDM duo who form UNDRESSD, about the success of their recent single, 'Forever Young', as well as how they met, and what is next in store for the pair. 'Forever Young' is a buoyant, summer anthem, with Elina's hypnotic vocals flowing magically over the twinkling synth bed created by Erik.
Be sure to check it out after reading the interview below...!
You both must be buzzing right now, coming off the back of ‘Forever Young’ surpassing 5 million streams. Did you always feel it was a special song, or did this come as a bit of a shock?
When we finished the track we felt that it was something extra, but we never expected this amount of support. Just a couple of weeks after the release the phone started ringing from record labels all over the world… that was surreal.
Alphaville first recorded ‘Forever Young’ in 1984. What made you decide to cover it?
We both really love the original. It holds such beautiful melodies and lyrics. We were on a road trip when the radio played the original, and the idea popped up and we spent the night in the studio jamming and trying some ideas.
How did you guys meet, and when did you decide to start making music together?
Well… we met on Tinder, haha. Erik is more of a pop-producer and Elina more of an indie-singer-songwriter. But we were actually dating for about half a year before we realized we both should do something together. After going to the cinema and watching a movie about a famous Swedish artist, we decided to do a cover from that soundtrack. That was the start of our project.
What’s the meaning behind the name ‘UNDRESSD’?
Wish we had a good answer to this one, but we don’t! We just really needed a name for our first release, and this name just popped up.
Does the success of ‘Forever Young’ add pressure to your next release, as people will be waiting on it more expectantly than ever, or does ‘Forever Young’s success just add fuel to your fire?
It’s always hard to do a follow up to a successful song. We really want the next song to be as good as this one, if not better. But overall we just feel super excited to create more songs after this response. At the moment we’re just trying to enjoy the success of this release.
What can we expect next from UNDRESSD? Is there an album in the works?
We really like this cover game, and you can expect more songs soon. At this moment we don’t plan an album, but who knows what the future holds...!
I really love your other two singles, which are entirely in Swedish. Will there be more songs in Swedish in future, or will most from now on be in English?
Oh, thank you! We will definitely release more Swedish covers. It feels so inspiring to hear comments like ”don’t know what your singing but I’m loving it”.
Which software do you use to produce your tracks, and how long did it take to create ‘Forever Young’?
We work in Logic X. We really like how fast the workflow is there. This was a song that we turned from an idea to a solid demo in just a day, but we polished the track for a couple of weeks. We co-produced the final touch with a friend of ours, Adel Dahdal.
EDM is for many people the sound of the future, with the way it combines an electric sound with soothing melodies. What draws you to EDM as a genre in particular?
We love how EDM nowadays lets you blend organic and electronic elements. I don’t know if you can hear it in the final production, but it’s basically made of electric guitars, an acoustic guitar, a piano and even a live bass. Adding some electronic elements to that gives you that pumpy feeling.
I have a section on my blog called ‘Self-Help Songs’, where I analyse a particular song’s lyrics and see what lessons we can gain from it. What lyric would you pick out from ‘Forever Young’, or one of your other singles, that you really feel can help the listener the most?
We really love the opening of Forever Young:
Let’s dance in style
Interview by Maxim Mower
Stream UNDRESSD's hit single, 'Forever Young', on all platforms
It was awesome to get the opportunity to chat to teen stars of tomorrow, 'Refuge', about their recent 'Haven to a Heavy Soul' EP. It's clear from their answers how much they care about music as an art-form, and how passionate they are about restoring authentic music to the charts. Read what they had to say below...!
Could you give me a brief backstory as to how the band came about?
The band started in 2016 when Patrick, Gabe and Silas got together for a random, first-time-ever jam session and realised (to everyone’s surprise) that we weren’t actually terrible; the humble beginnings of any band. So we started to learn some songs, played them for friends, and eventually came to dominate the hardcore international middle school social scene!
Over time, we developed a very clear preference for the Blues, riff-driven rock, improvisation, and lots of jamming. That led to expanding membership in order to bring in all the necessary elements to complete the band, eventually adding bass (Ben), vocals (Teresa) and piano/organ (Ike). All members are multi-instrumentalists, we all write music and lyrics, and we all fell in love with the Blues, jam bands and classic rock together.
Who are the members, and what role does each person have?
(Left to Right in photo)
How did you come to choose the name ‘Refuge’?
The band is named “REFUGE” because it represents what we are all about: somewhere to escape from the superficial, inauthentic music of our times. We are not a throwback band, however; we believe blues and rock n’ roll are timeless and just need a kick from young people to bring some life into it. Our band is determined to promote righteous and soulful music to a new generation.
That said, we weren’t thinking that deeply when we named the band. We were mainly just being critical of our friends’ musical preferences and thought REFUGE sounded cool. As we evolved as a band, so did the significance of our name.
There is a clear theme of journeys and travelling woven through 'Haven', with this being highlighted on tracks such as ‘Gone Astray’ and ‘Run Through’. To what extent would you say your collective identity as ex-pats influences the music you make?
Probably quite a bit. Maybe less so in terms of musical preference; that mainly comes from our parents, especially Patrick and Teresa’s father. But being expats certainly influences our thinking and how we see the world, and that surely gets into our lyrics. We know we are privileged to live overseas in amazing places like Kenya; and we know we have been given a great opportunity to see and learn about the world’s injustices firsthand. Our parents all work in humanitarian aid and development, and they have taught us a lot about what compelled them to do what they do. We will try to honor that in our music.
Continuing on from this, you have a song called 'Tathagata's Stream'. This is a crazy coincidence, because I'm currently studying Buddhism! 'Tathagata' translates as either 'one who has thus gone' or 'one who has thus come', and the Buddha also frequently refers to himself as 'the Tathagata'. How does all this play into the meaning behind the song ‘Tathagata’s Stream’?
You got it! Well the song was written before we had a title for it. After listening to the studio cut, someone mentioned that it sounded very stream-of-consciousness. The irony is that Patrick wrote that entire song out well before recording, and had even performed it at a few gigs. He was going for something drifty though, with emotional ups and downs. Since we already had some knowledge of Buddhism, we imagined this song to be like the internal thinking of someone meditating. Meditation is not all silent and serene; it can make you experience all kinds of emotions, and we thought this song kind of reflected that. So we called it “Tathagata’s Stream” (i.e. Buddha’s thought process). There’s no religious connotation though. “Tathagata” was used to represent the idea that thoughts come and go… even enlightened thoughts!
Despite having no lyrics, ‘The Wordless Ballad of Utharelius Tyne’ is one of my favourite songs right now! It just pulls me along through all kinds of emotions when I listen to it. What’s the story behind it, and who is Utharelius Tyne?
That’s awesome, thanks! The song developed gradually. Its biggest inspirations were probably Jimmy Page’s acoustic stuff (with Zeppelin) as well as John Butler’s solo work. After we made the song, we noted that it had a very trippy Celtic sound to it, which conjured up a bunch of medieval imagery for us. Somehow this got us imagining a wandering storyteller/poet that travels from pub to pub telling stories and making people’s lives just a little more interesting. That guy needed a name… so we took the name Patrick and Teresa’s younger brother came up with for one of his own short stories, Utharelius Tyne. Sounds real… but it totally isn’t.
It’s quite bold, for your first EP, to have numerous tracks that clock in over 7 minutes and that don’t have lyrics, but it’s also a move that I feel pays off. In creating this album, how did you balance the drive to generate popularity and radio plays, with the more artistic desire to make music you genuinely love and are really proud of
Great question. We went with the second option entirely. Since we are young, there is no rush for us to get lots of radio plays or have the popularity of a mainstream band. We want to succeed, but we have plenty of time. For now, our priority is originality and doing what we love. We know that will gradually get the kind of fans we want as well, i.e. people who love jamming. That said, we also have some short, 3-minute songs. Those are actually harder to write because you have to convey everything you want to convey so succinctly. We should also point out that REFUGE doesn’t want to be a “standard” band that hides behind (or plays second fiddle to) the lead singer. Instrumentation is a big part of our identity, and it is so lacking in popular music today. Everything is so computerized now that there is literally no “feel”, at least not beyond the vocalist. And how could there be? Feel comes from imperfect timing, from stretching out a sound that invokes a sentiment. Algorithms can’t do that.
I absolutely love the album cover, it’s such an imposing but uplifting image, and I think that epitomises the mood of the EP as a whole. What does the image represent to you?
We call it “The Heavy”. That’s another aspect of the band that has evolved over time. At this point, it represents that potential fan that we are looking for, and that hopefully is looking for us. The gas mask implies that he’s stuck in the “real” world, where so much music is phony and soulless (i.e. toxic). But it’s optimistic. The reflection of “REFUGE” on his goggles means that he found us. The psychedelic colors around him imply that finding us has created some kind of positive spirit or vibe. And the giant ‘fro… well that just looks cool. It also acknowledges our African origins.
Which artists inspire you the most?
Oh man, where do we start?!
We guess it’s pretty obvious that we are mainly into ‘60/70s blues, psychedelic and southern rock. That said, we have a ton of other interests as well, such as roots reggae, funk, jazz, R&B, bluegrass and Outlaw country.
Our influences are broad but some of the artists we listen to the most (and appreciate) include the Allman Brothers, Ten Years After, Lynyrd Skynyrd, Jethro Tull, Black Sabbath, Santana, Led Zeppelin, Neil Young, Grateful Dead, Doobie Brothers, The Eagles, Eric Clapton and Blues greats such as Albert King, Elmore James and Buddy Guy.
Finally, I have a section on my blog called ‘Self-Help Songs’, where I analyse a particular song’s lyrics and see what lessons we can gain from it. Which of your lyrics would you say you would want listeners to pay close attention to, that you feel can help people the most?
That’s pretty cool that you give song lyrics proper attention. We won’t pretend to claim philosopher status, but we definitely agree with you that lyricists are poets (or at least they should be) who can have profound impacts on their listeners. We hope to do that someday. For now, we are happy with what we have been able to write and we think it sends a decent message of what REFUGE is all about.
Two songs that probably do this best are “A Brighter Day” and “Saw It Coming”. Generally we like to write in metaphor, and even better if the lyrics have some kind of double meaning. In a literal sense, our song lyrics tend to sound like someone speaking to the person they are (or were) in a relationship with. But they go beyond that. “A Brighter Day” has a feminist message and thumbs its nose at an overly judgmental society. “Saw It Coming” is about climate change, spoken in the first person by Mother Earth herself.
Interview by Maxim Mower
Stream Refuge's Haven to a Heavy Soul EP on all platforms
ALBUM COVER - The Lion King: The Gift, Beyoncé
Despite all the hate the new Lion King movie has had aimed its way, something we can salvage from all the wreckage is a new Beyoncé album. At first, I just chose this album cover because it looks really imposing, elegant and classy - all words synonymous with Queen Bey herself. But the more I look at it, the more I realise that it’s actually the perfect image for the Lion King, because on one level it conveys the power struggle between Mufasa and Scar, and later Simba and Scar. But also it points to the ‘circle of life’ (try saying that without breaking into song), and of all the animals playing their part in the merry-go-round of life and death. Maybe it’s just because I’ve been reading so much about Buddhism for my thesis this summer, and the image reminds me a bit of samsara, the wheel of rebirth, and also a little of Taoism’s Yin and Yang. Either way, it’s a super cool image, and one I definitely gravitate towards.
SONG LYRIC - “She’s giving me ultimatums, I told her I like tomatoes”, Chance the Rapper
Um…ok, Chance. You go ahead and tell her that *insert confused emoji*.
After the heavy meanings of the lyrics in my last post on anxiety (which you can read here), for this month’s Best Song Lyric I simply went for something that is fun and made me smile. Chance the Rapper is a soundbite maestro, with ‘Don’t Forget the Happy Thoughts’ now emblazoned across T-Shirts and Hoodies galore. What I love about this lyric is it is completely nonsensical, but it’s this ridiculousness that makes it utterly hilarious. At least next time your partner gives you any ultimatums, you know what to say…
Although on second thought, maybe don’t try this one at home, folks.
SONG TITLE - Post Malone - Sam Feldt ft. RANI
It’s not particularly inventive, but I always feel it’s kind of meta when an artist uses another artist for the name of their song. The Chainsmokers did it on their early track, ‘Kanye’, and it’s a good way of enticing the listener in, because regardless of whether you’re a fan of the name-checked artist or not, it makes you wonder how they fit into the song’s story and lyrics. It’s also a clever marketing tool, because Post Malone currently has a song in the charts. Maybe it’s just the equivalent of when bloggers look up which keywords are being googled the most and use it as the title for their next post!
MUSIC VIDEO - Beautiful People, Ed Sheeran ft. Khalid
There were lots of contenders for this one. Chris Brown and Drake’s ‘No Guidance’ is hilarious, and worth a watch solely for Drake’s self-deprecating dance moves. Equally, another of Ed’s visuals, his collaboration with Travis Scott for ‘Antisocial’, is wonderfully off-the-wall and wacky. Having said that, after having watched it a good 5 times I still have no clue what it’s about.
‘Beautiful People’ is a poignant rejection of the star-studded, luxurious lifestyle that celebrities often pursue. It follows a middle-aged, down-to-earth couple as they are forced to look on in bemusement at the glitz and glamour of the house parties and fashion shows that engulf them. What’s sweet is they continue to live exactly as they would if they were on a cul-de-sac in Stoke, as opposed to the mock L.A. in the music video. While everyone else is partying, the wife makes the husband a cuppa, and before long they are tucked up in bed with sleeping masks as the music and drinking continues around them. It sums up the message of the song - ‘Droptop, designer clothes/Front row at fashion shows’, before Ed emphatically protests, ‘That’s not who we are’.
It’s grounding, and refreshing. And the couple in the video are just too darn adorable for me not to pick this as video of the month.
Read my review of Ed's new album here
Yours sincerely, but not too seriously,
It's clear that we often lean heavily on music when we are going through something. It has the powerful ability to lift you up, to relax your mind, or to simply let you know you're not alone in your struggle.
Of course, usually music alone is no remedy to the troubles we face, but it can be helpful nonetheless. Different people can draw out different meanings from various sets of lyrics, such is the subjective beauty of art.
The following is a selection of hand-picked lyrics that are aimed specifically at easing your worries and allaying your fears. Some may become new cri de coeurs, some may simply wash over you without having much effect. But hopefully in shining a spotlight on particularly useful lyrics, there will be at least one that will really resonate with you...
Don't you worry, don't you worry, child/See Heaven's got a plan for you
1. Swedish House Mafia, Don't You Worry Child
You don't have to believe in Heaven, or be religious at all for that matter, to appreciate this. Personally the message I gain from this is that no matter how low you are feeling, or how difficult it may be right now, in the long run you will always be okay. I have a saying that I'm always annoying my friends with - 'Even when it doesn't go to plan, it does'. This could be God's plan (shoutout Drake...), the Universe's plan, or simply your ultimate plan for your life. In the end, the struggle makes you who you are.
Oh, my darlin', put your worries on me/Can't judge you 'cause I feel the same thing
2. Ed Sheeran, Put It All On Me feat. Ella Mai
I really like this one, because it sounds fairly generic at first, but peering deeper into it reveals a significant message. For me, it's the idea that it's okay to ask someone for help when you're going through something. Don't be too prideful or too ashamed to lean on other people. There's a good chance they're going through something similar.
Have a look at my review of Ed Sheeran's 'No.6 Collaborations Project' here
Ain't in no hurry, I'd be a fool now to worry/About all those things I can't change
3. Zac Brown Band, No Hurry
This is the central Zac Brown Band mantra of 'Que sera sera', and to not let things that are out of your control get you down. If you have a problem, address it, and if there is a solution go about achieving it. If there is no solution, then leave it behind. It's irrelevant.
Check out a more detailed look at No Hurry in this Self-Help Songs post
Everything that's broke, leave it to the breeze/Why don't you be you, and I'll be me?
4. James Bay, Let It Go
This is a great quote, because it echoes the previous notion of letting things that are out of your control go. Often we can torment ourselves over what could have been, or what we should have done. "Leave it to the breeze", and don't be stuck in the past. Also, this takes on another meaning in the sense of what you might see as 'broken' parts of your personality or appearance. Just be yourself - we hear it time and time again, but it's true. Why be someone you're not, when you're awesome just the way you are (shoutout Bruno Mars...)
Today I missed my workout, but it worked out/Now I'm missing work now, but it worked out
5. Chance the Rapper, Work Out
Okay, this seems like a random quote to have included. But it resonates with me quite strongly, because I think we can overthink the details of our lives, and be too hard on ourselves when we don't match up to our expectations. It's great to be disciplined and driven, but cut yourself some slack - don't be too hard on yourself (shoutout Jess Glynne...okay, I'm going to stop with all the cross-referencing now...!). Also, remember to have fun! Charlie Hoehn wrote a great article about how 'Play' cured his anxiety, read that here.
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Gonna to put the world away for a minute/Pretend I don't live in it/Sunshine's gonna wash my blues away
6. Zac Brown Band, Knee Deep
Yes, I know, it's ANOTHER Zac Brown Band song. Talk about biased. But this artist more than any other epitomises for me the feeling of just kicking back, relaxing, and taking the strain off of your mind. They're not talking about a literal vacation here, it's a mental one. We all carry around with us personal spas in the form of meditation. Get away for free!
Then I felt my pulse quickening/But regrets can't change anything...Joy, set my mind free/I was giving up, oh, I was giving in
7. Bastille, Joy
Another poignant lyric about letting the past be the past. Don't agonise and torment yourself over something you can't change. Also I added the second part of the lyrics, because it emphasises the positive message of the song. Just when you are thinking of giving in, don't! Relief from your pain could literally just be around the corner.
And when all broken-hearted people/Living in the world agree/There will be an answer/Let it be
8. The Beatles, Let It Be
This iconic song is probably most famous for having an amazing melody, as all The Beatles' songs do. But the lyrics really hit home, and underline what a lot of the other lyrics in this article have been saying. Don't fight against an immovable obstacle, especially if it is behind you - turn around, and let it go. Let it be.
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I recently sat down with up-and-coming US rapper, C Woodz, for his first ever UK interview!
Among other things, we spoke about his influences, how he got into music, and the meaning behind last year’s EP, ‘Born in October’. It was awesome to get the opportunity to chat with such a humble, but clearly driven, artist, and it was refreshing to hear him talk about the positive effect he hopes to have on his fans, and his ambitions for the future.
Check out the interview below!
How does it feel coming off the back of the release of your new single, ‘Drip or Drown’?
I love creating music, it feels good. Every single I release is a big moment. The video’s coming soon too!
Is there a new album on the horizon?
The album right now is not together. There’s a collection of singles that I’m focussing on - I’m going to release 6 of them over the next six months. The album, that’ll be sometime next year.
You recently shot the video for ‘Please Don’t’ in London. In the song you say you flew there without a case - is that true?!
I actually did! I go to London like twice a year, I love it there. Also ‘Please Don’t’, that song was one of my favourites off the EP ‘Born in October’.
In ‘Please Don’t’, you sing 'Please don't send them my way'. What are you referring to here?
Basically, it’s my experience when I first went to London, my first experience, I was so happy just being out there. The city showed so much love, I was inspired by the people, and how they gravitated to my music. It was all very overwhelming, so yeah, it was inspired by my first experience going to London. “Please don’t send them my way” is basically talking about negativity, don’t send me any negativity. You can relate that to anything.
You mentioned recently that “It’s time for me to reroute my message”, and your recent pack of singles, ‘Different Smoke’, was full of lots of positivity, love, and was about you dedicating yourself to your girl. How would you describe this new message, and what side of C Woodz are we going to be getting from now on?
As far as that, the whole concept is about changing up the direction of my lyrics. I’m in a different space now. Going forward, when I am dropping new projects, I really want people to hear a different perspective to my old music. I basically want to impact people differently, and not just talk about the same things, but still give them the same impact in that transition. As far as visuals, lyrics, when I’m writing them, everything is rerouted to get a different perspective.
Which artists inspire you the most?
That’s kinda tough! I’m inspired by a lot of artists. First off, the rapping side of me was inspired by Lil Wayne. I’ve been listening to him since the age of 8. Then there was the transition where Chris Brown came along. Also other artists like Tory Lanez, Meek Mill, all of those artists, they inspire me, along with others.
You talk about being inspired by these artists. How does it feel to be in a position where you are inspiring your fans, and you are a role model to them? Do you feel any pressure in this responsibility?
I treat that as a proud moment, I’m just starting to see people gravitate to my music, loving my lyrics, reciting them in videos. It’s great. There’s no pressure at all, it actually drives me to produce more music that they want to listen to. I love that feeling.
What was the mentality behind your first EP ‘Born in October’, which you released last year? What space were you in when you wrote that?
When I was creating it, this was one of the first projects I really sat down and thought through. I wanted to do it the right way. ‘Born in October’ has acronyms, symbolism, there’s a lot of meaning in there. First off, I was born in October, that was the first symbolisation. Secondly, I felt reborn again, going through the process of creating that music. Basically I just wanted to give everybody that was born in October, or whatever month they were born in, to connect with this EP. Because when I was creating it, with each song I was going through different emotions and trials, and I was putting those things in my music. I was feeling recreated, rejuvenated, and reborn, and it added a whole different perspective to who I was. I felt brand new.
What’s the thinking behind the album cover, which shows a figure meditating in the grasp of a dragon’s claw?
The whole meditation part, that’s an actual silhouette of me sitting down, just meditating and relaxing. That whole image just symbolises me feeling born again. The dragon that you see, that’s to symbolise luck. Also, when you think of a typical lucky number, what number do you think of? 7. That’s the reason there’s seven songs, the dragon is lucky, it’s all a symbol of completion. Feeling completed as I was writing this music.
I really want people to hear a different perspective to my old music. I want to impact people differently
What direction do you see the future of Hip Hop going in? Does 'mumble rap’ have a future?
When I think about Hip Hop and R&B, I think that it’s all about life right now. You know, when you see an old tree, and it’s been there for hundreds of years, it may look old but it continues to grow. That’s how I look at music, it’s going to continue to grow and evolve. No matter where we are at, great music lasts forever. Mumble rap ain’t gonna stick around, because people want to hear something that’s going to keep them sustained when they’re going through certain things. The music is going help them get through that. As an artist, I obviously have to adapt to the music that’s being created and that’s popular, but also put my own style on it. I’m not a mumble rapper, but I have to adapt to it.
How did you first get into music?
My favourite rapper is and always has been Lil Wayne. Like I said, it started right there when I was 8, and I went to a Lil Wayne concert. My brother rapped too so that was a big influence. Music was really all around me, so as I got to 16/17, I wanted to start creating. My first time writing, I basically took Tha Carter I or II, and I switched all the words around. If he said ‘red', I said ‘blue’, and so on. That was my first time writing, and that helped me to learn how to write. At 17 I wrote my first song, and when I look at the lyrics now it’s funny to me, but I can see where I was trying to go with it. As life went on, I learnt how to do it. During that era, when I was 17, that’s basically when Chris Brown came along, and everyone was gravitating towards him. There was the whole thing about him dancing and singing, I just liked his style. That paved the way for me, that’s how it all started.
Where do you see yourself at the end of the year?
Winning ‘Best New Artist’ at the BET Hip Hop Awards. I want to be doing music full time, if I can do that, that’s when I’ll feel like I’ve really made it.
Are you independent, or signed to a label?
I’m independent, not signed. All my videos and me travelling to shoot them, all that is at my own expense.
What would be your ideal collaborations?
I want to work with Chris Brown, Lil Wayne, Tory Lanez. But at the moment I’m working with no features. Lil' Keke is an artist that’s becoming really big over here in America, and I have a song with him [called Real and Fake]. He’s a big feature for me to have secured. But other than that, I would only do a feature if it was a big name artist. I’m really just focused on getting my own music out there right now.
I have a section on my blog called ‘Self-Help Songs’, where I analyse a particular song’s lyrics and see what lessons we can gain from it, because I feel like artists are in some ways today’s philosophers. They’ll be going through something, and they pen lyrics that can really help the listeners who are going through a similar struggle, but perhaps shed new light on it or shift the perspective in a really helpful way. Off the top of your head, which of your lyrics would you say you would want listeners to pay close attention to, that you feel can help people the most?
It’s a lyric on my ‘Born in October’ EP. It’s the first verse on my song, ‘Born’. It goes,
Look at my scars, they can tell you that the battle was real,
It’s real, and basically it’s saying that they never know what you been through until they walk in your shoes.
Interview by Maxim Mower
Stream C Woodz’ summer anthem, ‘Drip or Drown’, out on all platforms, and watch his video for ‘Please Don’t’ here.
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Big Sean has made no secret of his mental health struggles, revealing earlier this year that he decided to start getting therapy. Despite his last album, ‘I Decided.’ being an inspiring journey through Sean’s mental struggle that ends on a positive note, it still left a feeling of there being more steps left that had to be taken.
‘Single Again’ is a celebration of his freedom from a relationship, a true break-up anthem. Now, Sean has dropped break-up tracks in the past in the form of ‘IDFWU’ and ‘Beware’, where he spits acerbic bars about his ex-girls. ‘Single Again’ is delivered in a completely different vein, with Sean poking fun at his past attitude in the lines, “Got me feeling like ‘I don’t f*** with you’/Oh nah, nah, that’s the old me”.
He goes on to muse, “Honestly, all the disrespect had damn near ruined me”. Despite being intensely introspective and soul-baring, the general mood of ‘Single Again’ seems positive, and not even in a trying to find the silver lining to the darkness kind of way, in a genuine way. It is uplifting to sense that Sean is making progress with himself - and this is his new focus.
The caption to the artwork is:
I’ve decided to take my time and get it right. Work on myself and wake up and smell the roses
Even the Detroit rapper’s delivery seems less fiery, and more peaceful. And to put your ex-girl on the actual song where you’re rapping about the break-up, that’s going to come up one of two ways. Either it’ll seem incredibly bitter and publicly ridiculing, or it’ll emphasise how accepting you are of how things worked out.
It’s definitely the latter, with photos of Sean and his old flame Jhené Aiko hanging out together surfacing on Instagram a couple of months ago. It’s a bold move, but it comes across as being 100% a good-hearted, and rather sweet, way of saying, ‘hey, we’re good’, as opposed to a mere publicity stunt. Sean’s new message is the antithesis of superficial.
So as a new album is readied, let’s hope Big Sean continues to get his mind right and place his wellbeing as the priority. I loved the old-school Sean party-starters, the tongue-in-cheek lyrics and ferocious rhymes. But I have to say I’m more excited than ever about the new Sean Don, where the maxim (knew I’d find a way to work that word in…!) at the heart of the music is way more important than the braggadocio and flexing.
Yours sincerely, but not too seriously,
Buy Big Sean's Last Solo Album, 'I Decided.' below
Just when you think you’ve found the right box to place songstress Maryze in, she eludes your grasp once again, her sultry voice slipping through the fingers of Pop, into R&B, and then into EDM. Like Moons is impressively diverse.
The EP opens with ‘Safe’, a slow-tempo track that lulls the listener into a false sense of security. It is immersive, and easily allows you to drift away in the midst of the atmospheric production and Maryze’s ethereal, uplifting vocals about self-love.
‘B.O.Y’, which stands for ‘Because of You’, is another slow-jam, a synth driven track, with Maryze crooning wistfully before she leaves the catchy riff to breathe. It sums up the vibe so far - the lulling background provides the soft bed upon which the listener can just sit back and relax, while Maryze cuts through the haze with insightful musings.
‘Their Hearts’ and ‘Dis-Moi’ are earworms that stand side by side on the record, and highlight Maryze’s ability to amp up the drama. Her mystical, light voice invokes comparisons to Jhené Aiko, another fan of creating a dreamy ambience in her music. ‘Dis-Moi’, however, sang in French, is the song that makes you stop and really listen. For the first time we hear an edge, the frantic synth that rises up behind Maryze’s hook, mirroring the increasing tension and desperation in her voice, pleading the song’s subject to ‘Talk to me’. ‘Dis-Moi’ shifts Maryze from being really good, but perhaps flirting with predictability, to being truly dynamic and exciting. It sounds like the kind of track that could have been written for The Weeknd, and the bassline contrasts perfectly with Maryze’s high range vocals.
Maryze cuts through the haze with insightful musings
The album finishes to a slower beat, with ‘Special’ taking us back to the calmer terrain of the opening tracks. It completes the EP beautifully, with each song showcasing Maryze’s strengths and her versatility to move across genres, while staying true to her core sound. You get a clear sense of Maryze’s openness in expressing her emotions, and this vulnerability allows the listener in. She encourages you to lower your own walls, as you experience her removing hers. This is a project about being honest to yourself and others - an apt message in an era where how you appear outwardly, whether you are a celebrity or simply a social media user, for example, seems to matter more than how you really feel on the inside.
Like Moons is a meditative, tranquil 5-course-meal, throughout which invigorating flavours and warming notes create a soothing balance, the result being an undoubtedly whetted appetite for Marzye’s next release.
George Ezra, Get Away
“It's never been this way before
Shut down by anxiety"
George Ezra acknowledged in 2018 that he had been suffering with anxiety, and ‘Get Away’ tackles this issue head on. However, the overall message is an optimistic one, and highlights how when we step back and stop for a moment, we can often realise that our worries are not as significant as we once thought.
“He's dreaming of a blacked out car, screaming: "Move over!””
This line really resonates with me, because being at Uni it often feels like we’re expected to step straight onto the treadmill of suits, chai lattes, and office desk plants without giving it a second thought. Ezra contrasts the work-based aspirations of the character driving in a tinted car, with the screaming of ‘Move over!’ hinting at the more fast-paced and stressed out lifestyle this can entail. He contrasts this with the following line,
“He’ll be flying through the sugar canes, screaming: “Move over!”
While the line is almost the same, the picture it paints is of a much more carefree person, out in nature, and the ‘Move over!’ sounds more like a child that is keen to continue their race through the fields.
“And I'm running down a mountain side when I close my eyes
And I'm a leader of a big brass band when I close my eyes”
Ezra continues to provide more fun and wide-eyed fantasies, showing us the scope of his imagination. This links back to his idea that modern generations can become ‘shut down by anxiety’. It is interesting looking at this from a student's perspective, because often I'll devote a lot of my day-to-day thinking time to degree-related worries, such as 'Am I going to get this essay finished?', 'Have I read enough?', 'Does my tutor think I'm stupid?'
But then as soon as the weekend hits, and I have a day or two off, there's a really weird feeling of confusion. During the week there's been all these small, work-related distractions, so when I stop working and these distractions disappear, all the bigger, existential questions start flooding into my head. 'What am I going to do with my life after Uni?'... 'Am I really happy studying like this?'... 'What do my friends think of me?'...
Then, because these questions are uncomfortable, I inevitably start filling my mind with the smaller distractions again, and the cycle continues.
"You better get away, boy
You better get away"
I feel like George Ezra isn't just talking about taking a vacation (although that often helps!), he means stepping back from the hustle and bustle of our daily lives, and finding time to just be present, to be in the moment. It's the constant chasing our tails and finding distractions that leads to the feeling I mentioned earlier, where when all the distractions are gone, we're not really sure what to do with ourselves, and we feel a bit empty.
I guess for me personally, the message I receive from these lyrics is to stop trying to find distractions, and just appreciate each moment. And confront the uncomfortable questions. Don't run from them, tackle them head on and see how they can be dealt with - if there is nothing we can do about it right now, then it's irrelevant. If there is a solution, then make a plan for attaining that solution.
How to Worry Less #1 - Confront your problems, know your enemy
In 'The Art of Happiness', the Dalai Lama likens training your mind to deal with problems to preparing an army for battle. If you confront the enemy, learn their strengths, their weaknesses, and their tactics, then you are in a much better position to defeat them. By contrast, if you bury your head in the sand and simply hope the enemy will be defeated, you are in a much less advantageous position. Know your enemy - and know your problems.
"Any boy can dream, dream of anything
Just like you"
Like I said before, George Ezra's overarching message is one of optimism. It seems the way we are told to look at the world, our careers, our lives, makes us forget to open our minds to the more wondrous possibilities out there. We are told to look at the options as being A, B, and C, where for example, A is University, B is an Internship, and C is an Apprenticeship. But sometimes looking at life in this fixed way, and looking through the lens that society has nudged us in front of, we miss a whole host of possibilities.
Who says that the only routes we can take are A, B, and C. What about X, Y, and Z? Or 1, 2, and 3? I feel like George Ezra’s message here is to keep your mind open, and don’t get bogged down in worrying about the little things, like what car you’re driving or how late you are for that 9am meeting. Life is obviously about more than that.
How to Worry Less #2 - Keep your mind open
When you close your eyes, are you driving the blacked out car, or flying through the sugar canes?
Yours sincerely, but not too seriously,
Hello! I'm currently studying Philosophy & Theology at Oxford University, UK. Having always loved writing and music in equal measure, and having always hated decision-making, I figured hey, why do I need to choose between the two?